“Possession”: I’ve waited a long time for this and it was worth it
A fever dream born of trauma, dissolution, anger, hatred, and resentment fused with an emotional pitch on the order of Bergman’s “Scenes from a Marriage” and the dread of Cronenberg’s “The Brood” with a little of Lynch’s “Eraserhead” thrown in for good measure does nothing to prepare anyone for Andrzej Zulawski‘s 1981 film “Possession.” I’ve waited years for this and have watched Metrograph’s 4K restoration twice already. I’m genuinely at a loss. It’s one of the most searingly brilliant films I’ve ever seen with Isabelle Adjani’s performance holding the center. If I’m hesitant to say it is her greatest performance, it’s only because her range is so vast and she is so versatile. And yet, perhaps it is her best, in the same way Deniro’s Jake Lamotta in “Raging Bull” is often referred to as his greatest turn (or should we go with Travis Bickle?) In any case, “great” might be a less reprehensible word than “best” but the point is that what Adjani gave here is supreme. The ana...