Reaction Shots

That John Wick is referenced directly in dialog in Dev Patel's Monkey Man is almost metatextual in a film that exists in a world where the current narrative plays out according to type, very closely resembling the first Wick film. But where the Keanu Reeves led film and its series are as much commentaries and auto-commentaries on the action film genre and its tropes, Patel's is going for something more and deeper. The fact that he pulled together a film that while wearing its antecedents and influences on its sleeve and making an original statement within the genre (and by extension, about the genre), this is might actually be secondary to the political critique/critiques that run throughout the work. It is also this that has led some reviewers to say that the film doesn't wholly succeed because it is trying to be more than a mere action flick. This is, of course, nonsense. Yes, Monkey Man is a rousing, action-packed, gripping, suspenseful flick. It is also fueled by a g

Earlier this year, I had a list of movies to be released. A quick tally led to a surprising result that almost half of those releases were sequels or movies based on previously existing IP. After a second or two, I caught myself and figured I didn't really need to be surprised. There are a few reasons why. One is that it's the market attuning itself to what the consumers want based on sales trends in merchandising connected to those properties. One way to check to see what character might be in an upcoming Marvel or DC film is to check a toy store; tie-in materials sometimes make it to the shelves well in advance of a movie dropping, but the point is that those tie-ins reflect the commercial bonds that drive mass movie-going attendance and consumption. Another reason is that, of course, what proved profitable at one time is likely to be so at another, though this is a riskier proposition for investors. Any shortfall in theatrical performance is likely to be assumed to be offset

One of the great things about a blog is that I'm not beholden to deadlines. I can tell the boss I don't feel like writing anything and he doesn' t care; in fact, he often agrees with me and even enables my slacking. The downside is that I actually get to missing the act of writing, applying my meager critical skills, and sharing this with whomever. March flew by and I thought I'd actually written more than I had. I have a spreadsheet I use of movies seen and a column marked "for RS?" that receives a "Y" if I feel like I should write up a movie. The "Y" is in red font, to remind me to follow through and once published, I switch the font to black. That way, I have a record of what I've written.  What's wacky about this is that while I have a spate of films I saw in March, and the "Y"s are all in red, there is a bunch of films in February that have black "Y"s by their titles that I haven't written up and some