Refreshing “Air”
Going into “Air” was a comfortable sense that Affleck and Damon were going to deliver the goods. I wasn’t expecting “Good Will Hunting” or “The Last Duel”. For that matter, I was pretty sure the closest I’d get in tone might be “Ford v. Ferrari” and while that film is masterful and entertaining, “Air” is likewise, in its own way the result of one of the more solid collaborations in Hollywood and it is certainly entertaining. We know how the story is going to end, Nike is going to be the almost exclusive brand of the NBA, Michael Jordan is going to become, of course, the Michael Jordan, and so associated with the brand as to be synonymous. Of course, it’s all in the telling and the film clocks in at an efficient hour and fifty or so with one of the most 80s of set design. The film is so 1984 (the year, not the Orwell) that when we first see Damon as Sonny Vaccaro in high school, the initial texture of the degraded colorization (footage was transferred to, get this, thirty years old ...