Cronenberg’s Appendixes (because two are better than one)
Appendix 1: Architectural Space(s) in Cronenberg’s Early works Really, it’s better if you read the main article first. Few other directors have used architecture as a character as well as Cronenberg. Kubrick comes to mind most readily, particularly in the early works where the ironic distance of the characters is buttressed by the choice of antiseptic or Brutalist architecture used as settings. It is palpable, almost out of the gate with “Stereo” where the telepaths move through a sterile environment pursuing the ability to connect emotionally and sexually. It is as if Cronenberg is daring the scientific community to look at how contradictory it is to attempt to distance the observer from the observed through the play-acting of lab coats and “laboratory conditions.” This is a conceit he would revisit periodically throughout his work; but it is impressive how well he used it even this early on. “Stereo” and “Crimes of the Future” both traffic in this idea of spaces set aside for sc...